![]() An obvious riff on Black Belt Jones, he announces his attacks, flips racist cops over his shoulders, and brings his bare fists to a gun fight. One of the best jokes involves a character named Kung-Fu Joe. He recalls an absurd pimping pageant, a direct parody of “The Mack.” Slade's motivation – avenging the death of a younger sibling – could've been pulled from any number of films. Antonio Fargas, of course, plays a former pimp. Slade is followed around by a band, who play his theme song. Despite this, it's clear that Wayans is familiar with the troupes of the genre. It's steeped in the very different culture of the eighties, its urban characters being decorated with boomboxes, bandanas, and wallet chains. “I'm Gonna Git You Sucka” isn't exactly a pitch perfect spoof of blaxploitation. But they haven't been very busy since the seventies, making the mission a little harder then it ordinarily would've been. Slade, Hammer, and Slammer are experienced tough guys. To achieve this gold, Spade teams up with a trio of retired black heroes. He's determined to stop the man responsible for flooding neighborhoods with gold chains, a crime lord named Mr. When Jack Spades returns to his home town from the military, he discovers that his little brother has fallen victim to the same condition. They are falling victim to the latest addictive substance: Gold chains, piling so many on their bodies that it kills them. For better or worst, it would launch the Wayan Brothers' career, helping make the family a household name. “ I'm Gonna Git You Sucka” would be well received by black audiences and generally ignored by everyone else, making the film an almost instant cult classic. Years before the “Scary Movie” series he launched helped destroy the parody movie, and even before " In Living Color," Keneen Ivory Wayans wrote, directed, and starred in an affectionately silly homage to seventies black cinema. And when a legitimate film movement becomes something people can say “Hey, remember that?” about, it becomes ripe for parody. That was just enough time for the once-upon-a-time hip style to become a source of nostalgia. By 1988, a little over a decade had passed since the heydays of the blaxploitation genre.
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